Sundance 2012 Round-Up

28) Tim and Eric's Billion Dollar Movie (2012) Dir: Tim Heidecker and Eric Wareheim Date Released: March 2, 2012 Date Seen: January 20, 2012 Rating: 2.5/5

29) Celeste and Jesse Forever (2012) Dir: Lee Toland Krieger Not Yet Released Date Seen: January 21, 2012 Rating: 2.75/5

30) Filly Brown (2012) Dir: Youssef Delara and Michael D. Olmos Not Yet Released Date Seen: January 21, 2012 Rating: 1.5/5

31) Robot and Frank (2012) Dir: Jake Schreier Not Yet Released Date Seen: January 22, 2012 Rating: 3/5

32) For Ellen (2012) Dir: So Yong Kim Not Yet Released Date Seen: January 22, 2012 Rating: 2.25/5

33) Red Hook Summer (2012) Dir: Spike Lee Not Yet Released Date Seen: January 22, 2012 Rating: 3.75/5

34) Smashed (2012) Dir: James Ponsoldt Not Yet Released Date Seen: January 23, 2012 Rating: 2.25/5

35) The Surrogate (2012) Dir: Ben Lewin Not Yet Released Date Seen: January 24, 2012 Rating: 3.5/5

36) John Dies at the End (2012) Dir: Don Coscarelli Not Yet Released Date Seen: January 24, 2012 Rating: 2/5

37) Shut Up and Play the Hits (2012) Dir: Will Lovelace and Dylan Southern Not Yet Released Date Seen: January 25, 2012 Rating: 2.75/5

38) V/H/S (2012) Dir: David Bruckner, Glenn McQuaid, Radio Silence, Joe Swanberg, Ti West and Adam Wingard Not Yet Released Date Seen: January 25, 2012 Rating: 3/5

39) Keep the Lights On (2012) Dir: Ira Sachs Not Yet Released Date Seen: January 26, 2012 Rating: 4.25/5

40) Beasts of the Southern Wild (2012) Dir: Benh Zeitlin Not Yet Released Date Seen: January 26, 2012 Rating: 4/5

41) Wrong (2012) Dir: Quentin Dupieux Not Yet Released Date Seen: January 27, 2012 Rating: 3.25/5

My 2012 Sundance Film Festival coverage, by outlet:

Esquire: here, here, here, here, here and here.

The Playlist: here, here, here, here and here.

Slant Magazine: here, here, here, here, here and here.

356) Rubber (2010)

356) Rubber (2010) Dir: Quentin Dupieux Date Released: April 2011 Date Seen: October 30, 2011 Rating: 3.75/5

Didn't write about this until a couple of weeks ago for Wide Screen, which just confirms my theory that sometimes, when you have something to say about a film, even if it's inconsequential, it'll stay in your mind until you commit yourself to writing about it. You can be the judge of that though.