Showing posts with label Sion Sono. Show all posts
Showing posts with label Sion Sono. Show all posts

Monday, February 13, 2012

More Belated, Half-Assed 2011 Ketchup

508) Le Quattro Volte (2010) Dir: Michelangelo Frammartino Date Released: March 30, 2011 Date Seen: December 29, 2011 Rating: 4.25/5

510) Senna (2010) Dir: Asif Kapadia Date Released: August 12, 2011 Date Seen: December 30, 2011 Rating: 3.75/5

511) Cold Fish (2010) Dir: Sion Sono Date Released: July 6, 2011 Date Seen: December 31, 2011 Rating: 3.5/5

2) Contagion (2011) Dir: Steven Soderbergh Date Released: September 9, 2011 Date Seen: January 1, 2012 Date Seen: 3.75/5

Le Quattro Volte: This film feels a little stuffy at the start. But once we get to that one great take, the one where the goats are freed from their pen and the car crashes and everything seems to happen for a reason but you can't quite discern what that reason is? At that point, I was all in.

Senna: Good character study and rather dynamic. Still, a bit too neat. Had more specific thoughts but, as is often the case with films I don't have to immediately write about for $$ (let's be honest: I get paid peanuts and they're not even whole peanuts, either), my thoughts have left me by now. Which is why I'm scrambling to get caught up with my notes-taking. Because there's so much I want to say and if I don't get it all down when the getting is good, then...well, I don't want to think about that.

Cold Fish: Don't get the rancor against this film (Thinkin' about you, D'Angelo!). As Sono's most pitilessly cynical of his recent films, Cold Fish is thoroughly misanthropic. It's often facile depiction of human behavior is frustrating. But there are singular moments in this one that impressed me, like the disposal of the first body and also, the planetarium visit. In the latter scene, Sono establishes something that deeply disturbed me: we crave to know that we don't matter, basically. That's what that sliver of a scene suggests. And that suggestion is terrifying and its pitilessly bleak. But it's so pointed in its bleakness (Look at this man and see him looking to know how small he is compared to the universe. Look at this man trying to re-establish order in his life by trying to convince himself that he doesn't really matter. a\And know that you crave to be put in your place, too.) that this one scene almost made me want to cry. So yeah, monotonous, to be sure, and Sono often stacks the deck a little too neatly. But hahaha whyyyyy?!

Contagion: Ends on a soft note with Matt Damon and his kid and I don't think any of the post-outbreak stuff really worked. But yeah, pretty terrifying, innit?

Saturday, December 24, 2011

419) Noriko's Dinner Table (2005)

419) Noriko's Dinner Table (2005) Dir: Sion Sono Date Released: June 13, 2007 Date Seen: October 12, 2011 Rating: 3.75/5

Not as good as Suicide Club but once it gets going, it's a pretty compelling feature-length coda in its own right. See my piece for Capital New York.

Thursday, November 24, 2011

RV!: Love Exposure (2008)

RV!: Love Exposure (2008) Dir: Sion Sono Date Released: September 2, 2011 Date Seen: August 29, 2011 Rating: 4.25/5

So happy to see that this still holds up as Sono's very best film just ahead of Suicide Club. See my review for Slant Magazine.

Wednesday, June 17, 2009

186) Love Exposure (2008)


186) Love Exposure (2008) Dir: Sion Sono Not Yet Released Date Seen: June 17th, 2009 Rating: 4.25/5

The very last scene is kind of a letdown but the rest is a weird saga of misanthropy and bizarre hope in the face of absurd odds. See my mention of it in my piece on Japan Cuts for The Onion's New York Decider.